The presence is digital, print is dead. Really? Instead of weighing between the flexibility of digital media and the lovely feeling of a collectable, tactile print magazine, the initiators of «Wasserleben» combined both. While the printed content was kept short and sweet, video material and audio enriched the magazine to a refreshing way of «reading». With the use of augmented reality, still pictures came alive and the reader heard artists like Mike Meiré telling their stories — in their own words, with their own voice.